Renee is a visual artist whose work focuses primarily on pattern, negative space and endangered plants. Recently her work has included large scale installations and collaborations for the Kathy Dunn Hamrick Dance Co. and First Night Austin. She has exhibited in Texas, Tennessee, Colorado, and Mexico and been published in Glamour Magazine (Italy) and El Norte - Vida (Monterrey, Mexico).

Renee's background as a professional modern dancer (formerly of Kathy Dunn Hamrick Dance Co.) greatly influences her as a visual artist and contributes a love of motion to her work.

The idea of a network of contiguous parts interests me because it mimics the unity of matter and raises questions about the space that exists between two material objects.

The impetus to create the Synaptic Route series stems from a fascination with the mechanism that allows for habit formation. The mechanism that creates a synaptic route painting is the same as that of a dancer learning new material and committing it to memory or a dog walking its ritual perimeter or a choice we make in our lives over and over.

Synaptic Route: Endangered Species
synapse: the point at which a nervous impulse passes from one neuron to another
synaptic route: physical path in the “circuitry” of the brain made by the repeated passage of nervous impulses

My Synaptic Route collection is a series of works using the grid and pattern to simultaneously document brain patterning and images of rare plants. Plant parts including the flower and fruit have a natural symmetry and intricacy - characteristics which lend themselves to the repetition of pattern making.

The idea for documenting brain patterning came from the term “muscle memory” which I learned as a professional modern dancer. Dancers and athletes in particular use this term to to describe the conjunction of mental memory and the conditioning of muscles to perform a particular movement or action. This idea for me spread into an exploration of patterns of thought, specifically those related to repetitive physical actions.

In my Synaptic Route collection this means giving attention to the physical synaptic route activated in the brain while creating. I wanted to “watch” and determine the formation of a synaptic route as it happened and document it in my work. In order for the pattern to be precise enough for a habit to form I needed a base structure: the grid.

The grid allows for substantially exact repetitions of a drawing which appear almost mechanical. The process of repeated drawing enables a precise route to “burn” into the brain. Each painting is a program designed to create a synaptic route for each image selected. This series features endangered plant species, species of special concern and rare plants.

Replicating endangered plants artificially not only produces documentation of the synaptic route, but the pattern itself dematerializes the surface of the painting creating a state of mind not unlike meditation. In this stillness and quiet endangered plants can be contemplated.